Word is the Bird, a Discussion with Jasmine Hearps-Rooney.

Jasmine has works on show opening at Brunswick Street Gallery(322 Brunswick Street,
Fitzroy) this Friday( 27th of November).

Her works combines typography with environmental concern to form a small yet coupling body of work that raises awareness for endangered native birds.

 

The text is the result of a personal quest to define her personal relationship with these birds that are from the Northern Rivers and central Coast of NSW.  The collection of generational observation are coupled with the at risk information about each species.

 

The initial idea was spawned from a conversation about the decline of the local finches that are no longer in her childhood area.  This then was fusioned with Jasmine’s current exploration of typography.

 

The next step in the process began with the research of endangered birds in the childhood town. Discussions with family developed a further personal connection to the plight of these birds. The execution combines traditional and digital. The first stage involves under-drawing in traditional pencil and pen. The finished drawings were then scanned and imported into photoshop to add the typography via a drawing tablet. The text was scaled and aligned to harmonise with the original drawing. The last stage was the printing. The results of this process created engaging works that draw the viewer in.

All works limited edition of 10.

masked owl drawing

Jasmine Hearps-Rooney, Maske Owl, 20 x 15 cm

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Jasmine Hearps-Rooney, Golden Fininch,15 x 20 cm

 

kingfisher (2)

Jasmine Hearps-Rooney, Kingfisher,15 x 20 cm

orange belly

Jasmine Hearps-Rooney, Orange Belly,15 x 20 cm

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Jasmine Hearps-Rooney, Willy Wagtail,15 x 20 cm

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Jasmine Hearps-Rooney, 15 x 20 cm

Guest writer ‘What’s on in Queensland? Bimblebox: Art – Science – Nature

Art and Artists blog is excited to include another Jack Wilkie-Jans guest post. Enjoy!
 
Bimblebox: Art – Science – Nature, a touring exhibition, is a must see. Currently showing at Artspace Mackay (61 Gordon Street, Civic Centre Precinct, Mackay) in Northern Queensland, the exhibition will be on display until the 6th of December 2015 before continuing doing the rounds through regional galleries in Queensland and New South Wales. Next year the exhibition is off to the New England Regional Art Museum, NSW (106-114 Kentucky St, South Hill NSW) from the 5th of February to the 24th April 2016. Click here for future exhibition dates!
 
Showcasing Seventeen Artists, the group exhibition is curated by well known curator and art consultant, Beth Jackson. The works are varied (click here for catalogue), ranging from collages made up of naturally sourced materials, to modern sculptural installations of both natural and technological appeal, fine paintings & drawing, photography, sound installations and digital art. As such the exhibition is a balanced collection of talent, with artists drawing upon their experiences at Bimblebox Nature Refuge for their collective inspiration. The Bimblebox Nature Refuge is an 8000 hectare property in Central Queensland’s Galilee Basin that is currently under threat from Coal Mining. 
 
They say nothing can beat nature, and while Mother Earth's creation (cared for by the caretakers at the Bimblebox refuge) is surely one of the greatest and most beautiful "installations", Bimblebox: Art – Science – Nature is a modern artists' interpretation and presentation of the aesthetic and the spiritual stories of such a pristine landscape. Showcased within art galleries across Queensland and New South Wales, like a modern take on the botanist portfolios of old, the exhibition literally transports Bimblebox to the viewer, and visa versa- something which is always a rewarding experience and a hallmark of any successful concept!
 
For more information please go to: bimbleboxexhibition.com or bimbleboxartproject.com
All Souls Day (Tree), 2009, Luke Roberts, photo courtesy of the Artist and Milani Gallery Brisbane

All Souls Day (Tree), 2009, Luke Roberts (photo courtesy of the Artist and Milani Gallery Brisbane)

Coalface, Alison Clouston and Boyd, source www.bimbleboxexhibition.com

Coalface, Alison Clouston and Boyd (source www.bimbleboxexhibition.com)

Mining Aramac from the Mining Galilee Series, 2013, Fiona MacDonald, photo courtesy of the artist

Mining Aramac from the Mining Galilee Series, 2013, Fiona MacDonald (photo courtesy of the artist)

L to R, L, Jaw War Tet Tweer, 2013, Sarah McIlroy, R, Mending the Future, 2013, Jill Sampson, photo Carl Warner

Left to Right, Jaw War Tet Tweer, 2013, Sarah McIlroy & Mending the Future, 2013, Jill Sampson (photo Carl Warner)

Bimblebox Skymap 2, 2013, Glenda Orr, photo Carl Warner

Bimblebox Skymap 2, 2013, Glenda Orr (photo Carl Warner)

Reconfigured Landscape no. 1, no. 2, no. 3, 2013, Shayna Wells, detail from photo by Carl Warner
Reconfigured Landscape no. 1, no. 2, no. 3, 2013, Shayna Wells (photo by Carl Warner)

Doomsday Song by Guy Mathews

Presented by Backwoods until the 22nd of November 2015 at Gallery 5 (5 Easey St, Collingwood VIC 3066).

Installation Photo courtesy of Backwoods Gallery.

Guy Mathews  art combines dying art of signwriting and abstract expressionism with a good dose of the industrial design.  The result is an engaging painterly body of work that straddles different stylistic traditions called bricolage. Guy experiences as an antique dealer had granted him a keen eye for interesting and quirky artifacts. This has allowed Guy to gather antique signs that would be rejected traditional as a transient object and transform them into lovingly crafted tablets with industrial inspired finish.
 

 

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Make the Docks. 120x 90 x 5 cm

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Another Network.120x 90 x 5 cm

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Nursing Mother 120x 90 x 5 cm

Copy of 6

Dark Key 120x 90 x 5 cm

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A Despots Flag 120x 90 x 5 cm

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Days Gone By 120x 90 x 5 cm

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Volley of the Fox 120x 90 x 5 cm

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Common Box 120x 90 x 5 cm

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Persona Non Grata 120x 90 x 5 cm

Waldemar Kolbusz – ‘Rudiment’

Last week I visited the Flinders Lane Gallery (137 Flinders Lane, Melbourne 3000). The exhibition 'Rudiment' (13 Oct – 7 Nov 2015) features large gestural paintings of contemporary artist Waldemar Kolbusz. I really liked the spontaneous patches of paint and colour. 'This expressionistic project is abstract yet altogether unambiguous.' – Kate Britton.

Waldemar Kolbusz Rudiment Even Higher 2015 12

Waldemar Kolbusz, Even Higher 2015, oil on linen, 91cm x 91cm

 Waldemar Kolbusz Rudiment Frisson 2015

Waldemar Kolbusz, Frisson 2015, oil on linen, 122cm x 91cm

Waldemar Kolbusz Rudiment Looking 2015

Waldemar Kolbusz, Looking 2015, oil on linen, 91cm x 91cm

Waldemar Kolbusz Rudiment West 2015
Waldemar Kolbusz, West 2015, oil on linen, 140cm x 140cm

Waldemar Kolbusz Rudiment Popcorn 2015

Waldemar Kolbusz, Popcorn 2015, oil on linen, 91cm x 76cm

Waldemar Kolbusz Rudiment Slippers 2015

Waldemar Kolbusz, Slippers 2015, oil on linen, 183cm x 122cm