Shun Kawakami:Snow Landscapes

We have a wonderful new writer Liam Anderson. Enjoy his first post.

 

Opening this Friday, 25th of September at Backwoods Gallery (25 Easey Street, Collingwood, Victoria, Australia) is the new solo show by the Japanese artist/designer Shun Kawakami. I had the chance to see his work before it opens.The show reflects the Japanese tradition of Yohaku, or the love of empty space.

 

The work is broken down into two cycles.They form a panorama when you view them collectively. This creates a barren landscape that is cold and hostile while retaining a deadly sense of serenity and beauty. The imaged landscapes were constructed from photographs originating from a rare snow shower that deposited 20cm of snow in Tokyo in 2012; it normally does not snow in Tokyo. Kawakami then stitched the individual trees to form these snowscapes. The paper and the wall scrolls were created in collaboration with Living National Treasure recipients who are Masters in their respective crafts.

 

I recommend this show to all those who like photography or appreciate excellent craftsmanship on hand made traditional Japanese paper.

 

Shun kawakami, Snow Landscapes:Tokyo 1, Photograph on Washi paper with Translucent Sumi Calligraphy by Gen Miyamura 55 x 79cm

 

You can see the clear Sumi ink brushed over the works in this photograph. It gives the work a sense of motion that may reflect the wind rustling the trees.

 

(Detail) Shun kawakami, Snow Landscapes:Tokyo 3, Photograph on Washi paper with Translucent Sumi Calligraphy by Gen Miyamura 55 x 79cm

(Detail) Shun kawakami, Snow Landscapes:TokyoMoats  3, Photograph on Washi paper with Translucent Sumi Calligraphy by Gen Miyamura 55 x 79cm

(Detail) Shun kawakami, Snow Landscapes:Tokyo 4, Photograph on Washi paper with Translucent Sumi Calligraphy by Gen Miyamura 55 x 79cm

 

The small works shimmer with the the black floating in the gold-leaf background.

 

Shun kawakami, Snow Landscapes:Gold Tokyo 1, Photograph on Hand Crafted Japanese Gold Leaf 27 x 38.5cm

Shun kawakami, Snow Landscapes:Gold Tokyo Moat 2, Photograph on Hand Crafted Japanese Gold Leaf 27 x 38.5cm

Shun kawakami, Snow Landscapes:Gold Tokyo 1, Photograph on Hand Crafted Japanese Gold Leaf 27 x 38.5cm

 

Stanislava Pinchuk (Miso): Surface To Air

She has done it again, Stanislava Pinchuk (Miso) new sellout exhibition 'Surface To Air' at Karen Woodbury Gallery (Level 1/167 Flinders Lane, Melbourne) is just beautiful. The very stunningly subtle pin holes on paper have a very poignant message.

"Surface To Air is a mapping of the Ukrainian civil war across landscape topographies & sonic scores. While a nod to the S.T.A missiles used in the conflict, the title also hints at the experience of war from a private perspective, coming up for air in resilience."

Go and see the show as it is even better in person. Enjoy the images…

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STANISLAVA PINCHUK, Air {Sonic Notation: Car Bomb, Kharkov}  2015, pin holes on paper, 86.0 x 66.8 cm (framed)

(Image courtesy the artist and Karen Woodbury Gallery, Melbourne)

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STANISLAVA PINCHUK, Air {Sonic Notation: Bomb Reverberating, Maidan},  2015, pin holes on paper, 86.0 x 66.8 cm (framed)
(Image courtesy the artist and Karen Woodbury Gallery, Melbourne)

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STANISLAVA PINCHUK, Air {Sonic Notation: Bomb Reverberation, Mariupol} , 2015, pin holes on paper, 86.0 x 66.8 cm (framed)

(Image courtesy the artist and Karen Woodbury Gallery, Melbourne)

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STANISLAVA PINCHUK, Scroll: Fireworks to Bombs {Maidan} Firework I, 2015, pin holes on paper, 31.5 x 22.7 cm (framed)

(Image courtesy the artist and Karen Woodbury Gallery, Melbourne)

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STANISLAVA PINCHUK, Scroll: Fireworks to Bombs {Maidan} Firework II, 2015, pin holes on paper, 31.5 x 22.7 cm (framed)

(Image courtesy the artist and Karen Woodbury Gallery, Melbourne)

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STANISLAVA PINCHUK, Scroll: Fireworks to Bombs {Maidan} Firework III, 2015, pin holes on paper, 31.5 x 22.7 cm (framed)

(Image courtesy the artist and Karen Woodbury Gallery, Melbourne)

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STANISLAVA PINCHUK, Scroll: Fireworks to Bombs {Maidan} Firework V, 2015, pin holes on paper, 31.5 x 22.7 cm (framed)

(Image courtesy the artist and Karen Woodbury Gallery, Melbourne)

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STANISLAVA PINCHUK, Surface {Textile, Odessa}, 2015, pin holes on paper, 165.0 x 113.5 cm (framed)

(Image courtesy the artist and Karen Woodbury Gallery, Melbourne)

Pinchuk_surface_3_2015_1

STANISLAVA PINCHUK, Surface {Textile, Kharkov}, 2015, pin holes on paper, 165.0 x 113.5 cm (framed)

(Image courtesy the artist and Karen Woodbury Gallery, Melbourne)Pinchuk_surface_6_2015_1STANISLAVA PINCHUK, Surface {Textile, Donetsk} ii , 2015, pin holes on paper, 165.0 x 113.5 cm (framed)

(Image courtesy the artist and Karen Woodbury Gallery, Melbourne)

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STANISLAVA PINCHUK, Bedsheet Topography II , 2015, pin holes on paper, 19.8 x 12.7 cm (framed)

(Image courtesy the artist and Karen Woodbury Gallery, Melbourne)

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STANISLAVA PINCHUK, Bedsheet Topography IV, 2015, pin holes on paper, 19.8 x 12.7 cm (framed)

(Image courtesy the artist and Karen Woodbury Gallery, Melbourne)

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Stanislava Pinchuk (Miso) , 'Surface To Air' at Karen Woodbury Gallery

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Stanislava Pinchuk (Miso) , 'Surface To Air' at Karen Woodbury Gallery

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Stanislava Pinchuk (Miso) , 'Surface To Air' at Karen Woodbury Gallery

Colour, Light & Silence: Anselm van Rood

Yesterday I visited Stephen Mclaughlan Gallery (Level 8, Room 8, Nicholas Building, 37 Swanston Street, Melbourne) to see Anselm van Rood's show Colour, Light & Silence (29 April- 16 May 2015). It is really refreshing to see some beautiful paintings, some from the artist*s studio, some portraits and some landscapes. Here are some photos from this wonderful show. Enjoy.

Anselm van Rood _ Self Portait as a JewAnselm van Rood, Self Portait as a Jew, oil on canvas, 2013-14 

Anselm van Rood, St. Kilda Morning- Souvenir of Luxor #3, Oil on canvas, 2014Anselm van Rood, St. Kilda Morning- Souvenir of Luxor #3, Oil on canvas, 2014

Anselm van Rood, The Blue Studio, Oil on Canvas, 2014Anselm van Rood, The Blue Studio, Oil on Canvas, 2014

Anselm van Rood, Shelf Life #3 (Polychrome), oil on canvas, 2015Anselm van Rood, Shelf Life #3 (Polychrome), oil on canvas, 2015

Anselm van Rood _ Self life #1 _Ruth oil on canvas 2015Anselm van Rood, Self life #1, oil on canvas, 2013-14  & Ruth, oil on canvas, 2015.

Anselm van Rood _ Stephen Mclaughlan GalleryAnselm van Rood,exhibition setup at Stephen Mclaughlan Gallery

‘James Turrell: A Retrospective’ NGA Canberra

Happy New Year 2015! I have a few exciting posts​ coming up for 2015 and can't wait to share them with you. Expect more regular posting.

I was very lucky to have been able to go ​to ​ Canberra ​recently ​to visit family and see some amazing exhibitions. Today I want to talk about James Turrell's show "James Turrell: A Retrospective" 13 December 2014 – 8 June 2015 at the National Gallery of Australia (NGA), Canberra. This is a paid exhibition costing $20.39- $45.88. The more expensive premium tickets are for experiencing 'Perceptual cell', which I unfortunately didn't get to do because it was booked out when I was there. Also note that 'Within without' is part of the permanent collection and can be viewed for free, this work ​is ​best viewe​d​ at dawn or dusk to fully appreciate the lighting effects.

So what did I think? I really loved seeing & experiencing both his earlier works through to his more recent im​m​ersive​ works​. I also loved ​seeing​ other visitors have a sense of curiosity and wonder about the work. I loved the show so much I plan on seeing it again when I go back up to work on a commission and I hope to be able to get ​a ​ticket to the 'Perceptual cell'. ​P​remium tickets are selling out fast so ​if you​ plan on going to Canberra try and book the tickets now otherwise you might miss out.

As photos w​ere​ not allowed in the exhibition​,​ here are some images and a video provide​d​ by NGA.

James Turrell 9

James Turrell 
Within without 2010
Skyspace: lighting installation, concrete and basalt stupa, water, earth, landscaping
National Gallery of Australia, Canberra
© James Turrell
photograph: John Gollings
James Turrell 6

James Turrell
Shanta II (blue) 1970
Cross-corner construction: fluorescent light, built space
Dimensions variable: 106.6cm (max height of aperture)
Image: National Gallery of Australia
James Turrell 1

James Turrell
Afrum (white) 1966
Cross-corner projection: projected light
Los Angeles County Museum of Art
© James Turrell
photograph © Florian Holzherr
James Turrell 4James Turrell 8 James Turrell 3James Turrell 2

James Turrell
Virtuality squared 2014
Ganzfeld: built space, LED lights
800 x 1400 x 1940.5 cm (overall)
Collection James Turrell
Image: National Gallery of Australia
James Turrell 7

James Turrell
Bindu shards 2010
Perceptual cell: fiberglass and metal. Light program
420.8 x 653.1 x 607.1 cm (sphere)
National Gallery of Australia, Canberra, purchased 2014
Image: National Gallery of Australia

‘Romance Traces’ Tinning Street

I was contacted by one of my followers to go see her show, the talented Lorraine Heller-Nicholas. She is showing at the gallery Tinning Street in Brunswick with the artist Jessie Scott. The show runs until the 19th October 2014… Yes this Sunday! So go have a look this weekend if you have time.

This is my first time at Tinning Street a little gallery tucked away in a very colourful lane way filled with street art. below are some of the images I took of the laneway and exhibition… enjoy!

IMG_20141016_141521IMG_20141016_140336IMG_20141016_142025IMG_20141016_140827IMG_20141016_141532

Gallery view (Jessie Scott & Lorraine Heller-Nicholas)Lorraine Heller-Nicholas

 Lorraine Heller-Nicholas

IMG_20141016_141413IMG_20141016_141456

Jessie Scott

* Special thanks to Belinda Wiltshire for telling me about the gallery.