by Emilia Martinez -

Waldemar Kolbusz – ‘Rudiment’

Last week I visited the Flinders Lane Gallery (137 Flinders Lane, Melbourne 3000). The exhibition 'Rudiment' (13 Oct – 7 Nov 2015) features large gestural paintings of contemporary artist Waldemar Kolbusz. I really liked the spontaneous patches of paint and colour. 'This expressionistic project is abstract yet altogether unambiguous.' – Kate Britton.

Waldemar Kolbusz Rudiment Even Higher 2015 12

Waldemar Kolbusz, Even Higher 2015, oil on linen, 91cm x 91cm

 Waldemar Kolbusz Rudiment Frisson 2015

Waldemar Kolbusz, Frisson 2015, oil on linen, 122cm x 91cm

Waldemar Kolbusz Rudiment Looking 2015

Waldemar Kolbusz, Looking 2015, oil on linen, 91cm x 91cm

Waldemar Kolbusz Rudiment West 2015
Waldemar Kolbusz, West 2015, oil on linen, 140cm x 140cm

Waldemar Kolbusz Rudiment Popcorn 2015

Waldemar Kolbusz, Popcorn 2015, oil on linen, 91cm x 76cm

Waldemar Kolbusz Rudiment Slippers 2015

Waldemar Kolbusz, Slippers 2015, oil on linen, 183cm x 122cm       

 

 

by Emilia Martinez -

Koorie Heritage Trust: Wominjeka – A New Beginning

The Koorie Heritage Trust have a new home at Federation Square (Levels 1&3, Yarra Building, Federation Square, Corner of Flinders and Swanston Streets, Melbourne Vic 3000) and celebrate their 30th birthday with an exhibition 'Wominjeka – A New Beginning' (19 Sep – 22 Nov 15).

"The exhibition shows the work of five early career artists, exhibited alongside pieces from the Trust's collection that have been the muse for their own artistic expression and stories." The five artists are Aunty Marlene Gilson, Georgia MacGuire, Mitch Mahoney, Josh Muir and Raymond Young. "Working with mentors, these artists have created new works in response to selected items from our collections."

The Trust collection artists are Stephen Glassborow, Wally Cooper, Tommy McRae, Glenda Nicholls, Letty Nicholls, Vena Ingram, Mandy Nicholson, Kelly Koumalatsos, Brian Firebrace, Treahna Hamm, Dorothy Lovett, William Barak, and Darren Pattie-Bux.

Wominjeka new begining 1 Wominjeka new begining 2 Wominjeka new begining 3 Wominjeka new begining 4

Gallery shots of the exhibtion Wominjeka –  A New Beginning, 2015

by Emilia Martinez -

Rigg Design Prize 2015

We are happy to announce another new writer to Art and Artists Blog, Emilia Martinez. Enjoy.

Today I went to the NGV at Federaion Square (Ground, Federation Sqaure, Flinders St & Russell St, Melbourne VIC 3000, Australia). The exhibition I enjoyed the most was the Rigg Design Prize 2015 (18 Sep 15 – Feb 16) on level 3, showcasing work from seven furniture designers, Adam Goodrum (NSW), Brodie Neill (TAS), Daniel Emma (SA), Kate Rohde (VIC), Khai Liew (SA), Korban/Flaubert (NSW) and Koskela (NSW) in collaboration with the weavers of Elcho Island Arts (NT).

"Recognising excellence in contemporary Australian design, the Rigg Design Prize is the highest accolade for object and furniture design in Australia." – NGV

Brodie Niell Rigg Design Prize 2015

Brodie Neill, Remix Chaise Lounge, 2008 ,wood and mixed solid surface material

Kate Rohde Rigg Design Prize 2015

Kate Rohde, 2015

Adam Goodrum Rigg Design Prize 2015

Adam Goodrum, Unfolding, 2015, transparent synthetic polymer resin, dichroic filter
manufactured by Stage One, Melbourne

Daniel Emma Rigg Design Prize 2015 1

Daniel Emma, 2015

Daniel Emma Rigg Design Prize 2015 2

Daniel Emma, 2015

Koskela rigg design prize 2015

Koskela in collaboration with the weavers of Elcho Island Arts, 2015

 

by zhen -

Anna Pappas Gallery: Simon MacEwan & Karyn Taylor

Recently I visited Anna Pappas Gallery (2-4 Carlton Street, Prahran, VIC, 3181). There are two wonderful artists showing; Simon MacEwan's 'The Floating World' and Kᾱryn Taylor's 'Immaterial Alchemy', both showing from 3 September 2015 to 3 October 2015.

'The Floating World' has wonderfully beautiful drawings created by a drawing machine which is also part of the exhibtion. 'Immaterial Alchemy' is a show which plays with light. The perspex artworks look like they are iluminated from within with lights, however it is actually the fluorescent coloured perspex inside creating this illusion.

Enjoy the images.

Simon MacEwan, Australian Dollar, Iron Ore Price 7-2014 - 7-2015, ink on rag paper, unique state mechanical drawing, 70x70cm

Simon MacEwan, Australian Dollar, Iron Ore Price 7-2014 – 7-2015, 2015, ink on 100% rag paper, unique state mechanical drawing, 70x70cm (Image courtesy the artist & Anna Pappas Gallery)

Simon MacEwan, Bitcoin 2009 - 2015, ink on rag paper, unique state mechanical drawing, 70x70cm

Simon MacEwan, Bitcoin 2009 – 2015, 2015, ink on rag paper, unique state mechanical drawing, 70x70cm (Image courtesy the artist & Anna Pappas Gallery)

Simon MacEwan, Gold 1968 - 2001, ink on rag paper, unique state mechanical drawing, 70x70cm

Simon MacEwan, Gold 1968 – 2001, 2015, ink on rag paper, unique state mechanical drawing, 70x70cm (Image courtesy the artist & Anna Pappas Gallery)

Simon MacEwan, Gold 1968 - 2015, ink on rag paper, unique state mechanical drawing, 70x70cm

Simon MacEwan, Gold 1968 – 2015, 2015, ink on rag paper, unique state mechanical drawing, 70x70cm (Image courtesy the artist & Anna Pappas Gallery)

Simon MacEwan, Silver 1960 - 2015, ink on rag paper, unique state mechanical drawing, 70x70cm

Simon MacEwan, Silver 1960 – 2015, 2015, ink on rag paper, unique state mechanical drawing, 70x70cm (Image courtesy the artist & Anna Pappas Gallery)

Simon MacEwan

Simon MacEwan, Floating World. 2015, Drawing machine Programing, and automation assistance, by Finn Roberston, 120 X 120 X 110cm

Simon MacEwan room

Simon MacEwan, 'Floating world', 2015

Karyn Taylor, Looped Equation II, 2015
Karyn Taylor, Looped Equation II, 2015, Perspex, 40 x 64 x 6.5cm

Karyn Taylor, shift, 2015

Karyn Taylor, Shift, 2015, perspex, 42 x 30 x 2cm 

Karyn Taylor, Time Loop in 2 parts, 2015

Karyn Taylor, Time Loop In 2 Parts, 2015, Perspex, 70 x 42 x 6.5cm

Karyn Taylor, Time Loop in 2 parts, 2015 room

Kᾱryn Taylor's 'Immaterial Alchemy', 2015

Karyn Taylor

Kᾱryn Taylor's 'Immaterial Alchemy', 2015 

Hologrphic field event IIKaryn Taylor, Holographic Field Event II, 2015, Projected animation, gouache, Dimensions variable

 

by liam anderson -

Shun Kawakami:Snow Landscapes

We have a wonderful new writer Liam Anderson. Enjoy his first post.

 

Opening this Friday, 25th of September at Backwoods Gallery (25 Easey Street, Collingwood, Victoria, Australia) is the new solo show by the Japanese artist/designer Shun Kawakami. I had the chance to see his work before it opens.The show reflects the Japanese tradition of Yohaku, or the love of empty space.

 

The work is broken down into two cycles.They form a panorama when you view them collectively. This creates a barren landscape that is cold and hostile while retaining a deadly sense of serenity and beauty. The imaged landscapes were constructed from photographs originating from a rare snow shower that deposited 20cm of snow in Tokyo in 2012; it normally does not snow in Tokyo. Kawakami then stitched the individual trees to form these snowscapes. The paper and the wall scrolls were created in collaboration with Living National Treasure recipients who are Masters in their respective crafts.

 

I recommend this show to all those who like photography or appreciate excellent craftsmanship on hand made traditional Japanese paper.

 

Shun kawakami, Snow Landscapes:Tokyo 1, Photograph on Washi paper with Translucent Sumi Calligraphy by Gen Miyamura 55 x 79cm

 

You can see the clear Sumi ink brushed over the works in this photograph. It gives the work a sense of motion that may reflect the wind rustling the trees.

 

(Detail) Shun kawakami, Snow Landscapes:Tokyo 3, Photograph on Washi paper with Translucent Sumi Calligraphy by Gen Miyamura 55 x 79cm

(Detail) Shun kawakami, Snow Landscapes:TokyoMoats  3, Photograph on Washi paper with Translucent Sumi Calligraphy by Gen Miyamura 55 x 79cm

(Detail) Shun kawakami, Snow Landscapes:Tokyo 4, Photograph on Washi paper with Translucent Sumi Calligraphy by Gen Miyamura 55 x 79cm

 

The small works shimmer with the the black floating in the gold-leaf background.

 

Shun kawakami, Snow Landscapes:Gold Tokyo 1, Photograph on Hand Crafted Japanese Gold Leaf 27 x 38.5cm

Shun kawakami, Snow Landscapes:Gold Tokyo Moat 2, Photograph on Hand Crafted Japanese Gold Leaf 27 x 38.5cm

Shun kawakami, Snow Landscapes:Gold Tokyo 1, Photograph on Hand Crafted Japanese Gold Leaf 27 x 38.5cm